This exhibition, the third one, is held at the Shizendo physical store. It features Kiyomizu ware from Kyoto. We will exhibit a wide range of works focusing on their characteristic colored enameling and gold paint.
"Kyo ware" is a general term for ceramics fired in Kyoto. "Kiyomizu ware" is a type of Kyo ware that was greatly developed by Ninsei Nonomura in the Edo period.
The greatest feature of Kiyomizu ware is that it has no fixed style. Even within the same Kiyomizu ware, you can enjoy various works that express the individuality of the artist.
Materials
The commonly heard terms "earthenware" and "porcelain" are distinguished by the base material of the pottery. If the main material used is "clay," it is earthenware, and if it is "pottery stone," it is porcelain. Therefore, earthenware is also called clayware, and porcelain is called stoneware.
There are "Japanese paints" and "Western paints" for painting. Japanese paints have a transparent finish, while Western paints have an opaque finish. In Kyoto, Japanese paints are often used.
Kiln
The finish of pottery changes due to various factors such as the temperature of the kiln, the thickness of the glaze, and the cooling method after firing. Even at the same temperature, the finish will change if the kiln changes. Therefore, each craftsman and artist has their own method, and there is no absolute correct answer.
Process
The basic manufacturing process of pottery (colored enameling) is as follows:
First, "forming" the shape with clay. "Shaving" to dry and shape it. "Bisque firing" to harden the shape. "Underglaze painting" which becomes the base color. Glazing and firing, then "overglaze painting" which is detailed coloring on the fired piece.
Colored Enameling
"Colored enameling" refers to a technique where underglaze painting is done after bisque firing, glaze is applied and fired, overglaze painting is done with colored paints, and then it is fired again at a low temperature in a kiln. When using gold, paint or lines are drawn with gold after overglaze painting and low-temperature firing. After that, it is fired again, and the gold part is polished to make it shine.
How to use Gold Paint
The way to handle gold paint varies from artist to artist. Some people mix gold with transparent paint and medium, and some people use gelatin solution. What they have in common is that fine mud is preferred. Although it depends on the desired expression, fine mud seems to be better for painting with a raised effect.
In Shizendo Magazine, we interviewed three artists who have a connection with the exhibition and will deliver the charm of Kiyomizu ware in a series of four articles.
